Posted October 17, 2013 under Blog
If you are making your plans for the congress in 2014, stop right there – and consider coming a little early. You won’t regret it!
After four successful volunteer camps between 2009 and 2012, Human Force will run its fifth camp in conjunction with SDIA member A Child’s Garden of Peace during the last week of July, before congress begins. There, the Force will help create a garden at a pre-school for disadvantaged children in Puebla so that they have a space where they can connect with the natural world.
Posted September 25, 2013 under Blog
By Hesther and Raphael Bate
Within Subud, the Susila Dharma International Association (SDIA) is popularly known as ‘the charitable arm of Subud’, which it is. But it is so much more: it is also a channel for some of us who are ‘moved from within to take action in the world’.
Many of us take that movement from our latihan into the wider world through our work, our interactions with others and by volunteering our energy and money with registered charities. Many countries within the worldwide community of Subud have their own SD National organisation, which usually works with projects in other parts of the globe, occasionally in partnership with government departments for overseas development. SDIA is the central body, with UN consultative status and taking the UN Millennium Development Goals as one of its approaches.
Posted September 11, 2013 under Blog
Musings on the Susila Dharma Conference at Cipanas, Indonesia, 2013 by Gopinath K. Parakuni, Ashoka Centre, India
Children at YUM with angklung
That evening at the community centre of Yayasan Usaha Mulia (YUM), little girls with cleverly plaited hair and little boys in crisp batik shirts stood in rows with their Angklung and played us a melody or two. The audience, representatives of Susila Dharma from various countries and continents were amazed at the cooperation and coordination among children so young, for the Angklung cannot be played by a single player, but the distinct note played by each player on his or her instrument confluence into the melody through exactly-timed rendering.